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I plan to write at greater length about how the film represented an acerbic punctuation point on the generation that it depicted, as well as the generation that produced and embraced the film as well. It's dark humor is on occasion quite gross, but more to the point it creates a set of characters through whom all the hypocrisy and self-aggrandizement of the previous twenty years could be skewered. No one comes off well, even though you can't help but cheer for one side over the other-- which in itself hearkens back to the moral ambiguity that marked the sixties.
But that's the film-- this book seems only an effort to cash-in on the fame of the movie. I guess, when you stop to think about it, although the story Miller tells is boring, repetitious and ultimately a waste of time, that too is a kind of reflection of the critique offered by the film; but in this case I feel like I'm the sucker. Maybe on that level I have to reluctantly say, bravo!
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