This was one of my favorite songs way back when I was thirteen years old. It still brings a smile to my face. Any one else remember this one?
The Savage Hearts - Radio Silence (Savage Trax)
21 hours ago
I spent a couple of hours at Nevada City this past weekend, snapping pictures. The town is a living history museum, "populated" by various characters drawn from the town's nineteenth century heyday. In that sense, it's a bit more developed than a lot of the other ghost towns around Montana, and a pleasant place to pass a little time. It was an especially nice day when I was there, with nice light for pictures.
Most of the buildings have been modestly maintained, and some fitted with something like the original trappings relevant to their use (like the tools and wheels outside the smith's shop below).
Compared to the version of the old west towns one is likely to encounter in the movies, Nevada City is both more compact (individual buildings) and more spread out (for the most part, the buildings are kind of scattered instead of butting up against each other). This may reflect a version of the community that evolved after its initial boom days (it sits near Alder Creek, site of one of the biggest gold strikes in the 1860s). The stories told by the docents also paints a picture much less romantic than the versions common in popular culture.
"The shortest and surest way to live with honour
I'll go pretty much anywhere if it will provide an opportunity to take interesting photographs. so when my pal Rick mentioned visiting the Eden Corn Festival, I grabbed the camera. Here are some of the shots I took there, in glorious black and white.
I like fairs and festivals because of the people and the lights and the action, and although the Corn Fest is much smaller than the Erie County Fair, there was plenty going on (though it was nice to catch a quiet moment, like below).
It seems like the food is an even bigger attraction than the rides in Eden-- I guess that makes sense given that it's a celebration of the harvest.
The Beaverhead County Fair is this weekend, so I'll have another chance to take some pictures. I hope it's as interesting as the ones I visited back east.
“Money is like fire, an element as little troubled by moralizing as earth, air and water. Men can employ it as a tool or they can dance around it as if it were the incarnation of a god. Money votes socialist or monarchist, finds a profit in pornography or translations from the Bible, commissions Rembrandt and underwrites the technology of Auschwitz. It acquires its meaning from the uses to which it is put.”
On one of my last nights back east, I went to the Erie County Fair with Sally, Tom, Natalie and Ben, mainly to take pictures. Here are a few that I particularly liked. The first is a line of show horses getting ready to compete.
The other three are a bit more experimental. I like the silhouette effect I got with the couples on the swing above.
Likewise, although this one was unintentionally blurry, it kind of conveys the color and movement of the crowd along the midway.
This last one is a double exposure, which turned out particularly well as far as melding the multiple images of the midway into a coherent whole. Maybe I'll post some more shots from the fair in the next few days.
"And no matter what, there's not one thing in
Here are four examples of the classic Krazy Kat strip from August and September of 1922. I think it's safe to say that George Herriman's creation is one of the two or three greatest strips ever, just based on pure creativity. There's certainly never been anything else remotely like it over the years I've been studying the medium.
I thought this second one might have some resonance for anyone reading this and dealing with the effects (direct or indirect) of Irene back east.
Just about everybody should recognize Theresa, and you can probably tell from the decor that this was taken around Christmastime at Sara's house. So the question is, who was sitting next to Theresa before I cropped this image (to her left, your right)? Put your guesses in the comments section.
Continuing on a theme developed in the previous post (below), here's a shot of Brian and Sally playing in Gramma's backyard (different Gramma than the one mentioned in the last post). Not to embarrass any of the subjects, but I thought it worth noting this scene predates the previous one by more than fifty years! Hard to believe...
Wasn't it Albert Einstein who said it was insanity to do the same thing over and over again, while expecting different results? By that definition I must be insane because I keep ordering the soup at Great Harvest in Butte expecting it to be good. In my defense, it's always a different variety of soup, but even so their track record is terrible. The real irony is that they aren't very adventurous with their selections. It's always something straightforward like vegetable beef, chicken noodle, or in the most recent case, cream of tomato. You'd think such standards would be hard to mess up, but they somehow always manage. The tomato soup was very acidic in flavor, and was only palatable once I'd dumped in a bunch of croutons. It's mystifying to me as to why they can't get the soup right because their sandwiches are always really good (I had a BLT yesterday). That's enough to keep me coming back at least somewhat regularly, which means I'll likely take another stab at the soup too. I guess there are worse forms of insanity.
I had the opportunity to catch a number of minor league baseball games this summer, and always took my camera along. Here are some shots that I think turned out pretty good.
I wish I had taken notes so I could identify the players in these pictures. My goal was to learn how to capture the action with some detail, and I'm getting better at that.
I was lucky to have good seats at just about every game (in Buffalo, Burlington, VT, and Erie, PA), giving me decent angles. Although these are all from the first base side, I did occasionally sit on the third base side too, and will try to get some of those up here as well.
There were a lot of near misses too, because I didn't have the settings right at the moment of action. I was so disappointed after rightly aiming at the shortstop as he made a diving catch, only to discover that I hadn't boosted the ISO enough to register more than a white blur.
Here's another set of photos I took a couple weeks ago at the Pennsic Wars, starting with a standard bearer no doubt there to rally the troops as they head off to battle.
Here's a much less martial setting of several merchants and musicians relaxing outside one of the vendors' tents.
A highlight of the visit was the performance by this magician, entertaining folks in the merchants area with classic cup and ball tricks.
There was so little light at the Baronial party where this musician performed that I couldn't get an ideal picture, but this conveys something of the atmosphere of the evening. Maybe Theresa or Dan can remind me of the name of his group, who I understand are longtime favorites of the SCA community.
These are two of the party-goers from that same evening. Again, it could be a bit sharper, but I like how it captures the general mood of the event-- easy-going revelry under torchlight.
This guy was getting ready for the rapier battle which ended up being a bit of a bust, at least for spectators. At least this guy was ready for some action.
I've actually seen Terrence Malick's The Tree of Life twice already, and it's one of those rare cases where I liked it much more on second viewing. That's largely because it's a somewhat overwhelming experience the first time around, as Malick purposely defies the normal conventions of plot and narrative that dominate popular storytelling (whether in films or otherwise), and I'm way out of practice in viewing such work (I'd call it experimental, but I don't think that Malick is experimenting-- he's just hewing to his particular vision). On first viewing, there were several passages that just knocked me out, but it was a struggle to see how it all fit together. On second viewing I had a greater sense of cohesion, and picked up some of the more subtle points that made it a much more enriching experience. Malick must be the only American filmmaker working today in something close to the mainstream (at least in terms of the wide distribution of his films) who can be rightly characterized as a visual poet, whose work leans more toward the allegorical than the literal, and whose ideas are mostly conveyed through his images (in fact there is virtually no dialogue and only impressionistic narration in The Tree of Life). It's a film that demands, and commands, attention, but it's hard to imagine that the average moviegoer is prepared to engage in the kind of interactive relationship with a movie that Malick is assuming here. That's more a result of "lowest common denominator" thinking amongst producers than any inherent lack of intelligence in the audience-- just how often are they challenged by what they see on the screen?-- but it's also unlikely that there will be a loud clamor for more films like this forthcoming. Since Malick has only made five films in almost forty years, one hopes that at least some other artists might be inspired to work in the same vein, but I won't be holding my breath.