Friday, June 11, 2010
The Last Concert I Saw
Friday Family Blogging
Friday Philosophy
A big part of philosophy is understanding not just what we know but how we know it. This line by the playwright George Bernard Shaw (1856-1950) kind of alludes to that latter point:
Thursday, June 10, 2010
Tift Merritt Live
I went to see Alejandro Escovedo tonight (more on that tomorrow), and the opening act was Tift Merritt and band. I've heard a couple of her records, but they don't do justice to her live show, which kind of rocked (maybe she was inspired being on the same bill as Escovedo). Anyway, here's an example of her work from a couple years ago:
The Last Movie I Saw
I went to see Iron Man 2 the other night. Directed by Jon Favreau and starring the always entertaining Robert Downey, Jr., I have to say the movie was a good time though I'd be hardpressed to make a case that the plot had anything to do with that. The appeal of this particular franchise is probably 75% Downey, whose Tony Stark/Iron Man is such a lovable cad that he pretty much carries the movie with his weirdly self-aware narcissistic manner. Buty Favreau deserves some credit too, in giving Downey the necessary room to chew the scenery. Unlike most action pictures, there are actually long scenes of dialogue (or monologue, depending how you count Stark's interactions with his computers) between the fights, and even when the momentum picks up, Favreaus sometimes lets his camera linger more than a second or two on what is unfolding, which to these old-fashioned eyes is kind of a relief from the more common frenetic style of IM2's most recent genre counterparts. Much like the first film, I probably won't remember many of the details from this one, except that it was an easy and enjoyable way to while away a couple summer hours. Sometimes that's good enough.
Soup Diary 100610
I have to say, the names "spinach" and "gorgonzola" are not exactly appealing in and of themselves. But the cup of Spinach Gorgonzola soup I had at Fables a couple days ago was pretty darn appetizing. It's funny how much a name might affect our willingness to try something, quite apart from past experience with the foods in question. I actually really like spinach, even though that name connotes something kind of yucky in my mind (something about the "ch" sound at the end I think). I don't know if I've ever even had gorgonzola before I tried this soup (first time about a year ago), maybe in part because it sounds like some mutated Japanese movie monster. But my mission is to go for the stuff I used to eschew, and avoid the standard fare (you know, chicken noodle and vegetable beef). So now I have to hope the eggplant chowder pops up on the menu, since those too are words that kind of turn me off, which makes me think the soup must be wonderful. That's a rational way to think, no?
Quote of the Day
Seneca the Younger (4 BC-65 AD) was a Roman stoic philosopher. Some of what that means is apparent in this quote:
Wednesday, June 9, 2010
An Old Fashioned Cutting Contest
One of the cool traditions in jazz is a stage competition between musicians, especially on the same instrument, known as a "cutting contest." Here's a fairly recent example featuring perhaps the two finest contemporary saxmen out there, James Carter and Joshua Redman:
Another Trip to Niagara Falls
The Last Movie I Saw
Wednesday's Wisdom
Today's quotation is from the famous American anthropologist Margaret Mead (1901-1978), who famously wrote about growing up in Samoa (though I don't know if that is where this particular insight occurred):
Tuesday, June 8, 2010
Rank and File
Here's one of the original cowpunk bands from the eighties-- they came along right around the same time as Jason & the Scorchers, Blood on the Saddle, and some others, But Rank and File had some true punks in the Chip and Tony Kinman who came out of the Dils and Alejandro Escovedo (who I'm looking forward to seeing live in a couple days) from the Nuns. This was the first track on their first album, a great intro to the group:
The Last Book I Read
In my humble estimation, the cartoonist who goes only by the name of Seth is the most brilliant artist working in graphic novels today. His work is so heartwarming, and evocative of places and times that are lodged somewhere back in the dim recesses of my unconscious (whether I've experienced them directly or not), that his works read almost like the recollections of some half-remembered dream. George Sprott 1894-1975, his latest, compiling strips that originally appeared in the New York Times Magazine, is an exquisite example of this. It provides what can only be called a multi-faceted obituary for a deceased local TV personality, whose best days are well behind him, but which continued to define his life in virtually every way right up to the end. I don't mean that George just relives past glories, because he is haunted by his mistakes as well, and as he ages and approaches the end of his life, he seems to have lost the capacity to understand in any meaningful way how all of the things he did came together to define him. So, the review of his life and career is marked by numerous contradictions and diverse reactions, from both himself and those who knew him. Perhaps that is the nature of every life, or anyway, should be acknowledged as the most honest way to evaluate virtually any person; and Seth's accomplishment here is to make it seem a reasonable and fair if not an ultimately positive reflection on George. Part of Seth's ability to create such an complex impression is due to the images he creates to visually define the contexts for George's life. These are places that depict, for example, a small Ontario city or the cold Arctic north exactly as I'd have imagined them, but also portray a powerful sense of more narrowly defined spaces (homes, offices, bars, studios, etc.) that could and do exist anywhere. The sense of identification with these settings goes a long way towards building the sense of identification with the characters, and that is a big part of the author's ability to effectively blend the literary and visual qualities of his story. This is highly recommended, as is anything you can find by Seth (especially Clyde Fans or It's a Good Life, If You Don't Weaken).
Soup Diary 100608
One of the true highlights of the rotation of soups served at Fab;es Cafe is the African Peanut variety that seems to pop up about one a year (or anyway, once a year when I'm actually around to try some). That happened a couple days ago and I was not disappointed. This is a hearty mix of onion, peppers, celery, rice, and peanuts in a broth that is truly heavenly, flavored very similarly to Thai peanut sauce. It's got a sweet tangyness that I don't really associate with any other kind of soup. I don't think it's the best soup available at my favorite soup place, but it may be the most singular. It really isn't like anything else-- and I'm glad I didn't miss it when it came around in the rotation this time.
Monday, June 7, 2010
The Killer
The original rock'n'roll wild man from Ferriday Louisiana. This is short, I think because it's hard to sustain that kind of energy for a long time (though Jerry Lee has been doing if for going on sixty years):
Happy Birthday Marenka!
Three Photos
Quote of the Day
Here's something said by the great Spanish artist Francisco Goya (1746-1828), on a topic I'd wager he knew something about:
Sunday, June 6, 2010
New Video
I recently read about this band called the Strange Boys in a couple of reviews that were pretty complimentary. So, today I bought their new album, and it's pretty good. Here's one of the songs off it, with some interesting homemade-looking video accompaniment:
Three Photos
The Last Movie I Saw
As may be apparent from past postings here, I'm a long time comics fan. Over the years, the only thing that has changed in that regard is that I outgrew the superhero genre some time ago, though I can still occasionally get a bit of a nostalgic kick from seeing some old favorite either in print or in a movie (Iron Man, for example). My tastes run more to the realistic, autobiographical graphic novels that have become fairly prevalent, and in the case of the more fantasy oriented subjects, I find myself more inclined to enjoy reading about them, as opposed to reading the comics themselves. Along those lines, in recent years there have been some really fine historical/analytical books published (e.g. Men of Tomorrow by Gerard Jones and Comic Book Nation by Bradford Wright), as well as Roy Thomas' great magazine Alter-Ego and the long running Comics Journal, all of which treat the comics with scholarly, if not academic, respect and erudition. This tendency to take the form seriously, especially with respect to superheroes, would have been almost unimaginable (for a number of reasons) when I started collecting the things almost forty years ago. One of the other notable changes is that the comics themselves have become, at least on occasion, more self-conscious and self-critical in their own right, starting at least by the time of Alan Moore's and Dave Gibbon's Watchmen and Frank Miller's Dark Knight (though the movies made from each, I would argue, fell short of matching the original print versions in meeting their standard of scrutiny of the genre). The new movie Kick-Ass, directed by Matthew Vaughn is kind of in this same vein-- very "meta" in its approach to the whole notion of super-heroics, and rather interesting in the questions it poses about how young people especially relate to the form as they work out their own concepts of good and evil in the world. In that regard, the film makes for a great conversation starter, though in the end, I think it fails to really follow through with a fair examination of the issues it raises. Instead, it falls back onto the sort of "Bam!" "Pow!" "Zap!" histrionics that always marked the climax of old Batman TV episodes (which was self-conscious about itself in a way much different from something like Watchmen, which is to say it played up the parody angle). In the end, I found Kick-Ass fairly entertaining, but more for its lapses into over-the-top "let's nail the bad guy" than for any intelligent commentary on the genre, That's unfortunate, because I think that, if some producer could see beyond raw market research of what sells, it would be possible to combine the two to create something truly classic.
Sunday's Quote
Here is a wonderful passage from Ralph Waldo Emerson's essay "Nature." I think I know exactly what he means:
"In the presence of Nature a wild delight runs
through the man in spite of real sorrow. Not the
sun or the summer alone, but every hour and
season yields its tribute of delight; for every hour
and change corresponds to and authorizes a
different state of mind, from breathless noon to
grimmest midnight. Crossing a bare common, in
snow puddles, at twilight, under a clouded sky,
without having in my thoughts any occurrence of
special good fortune, I have enjoyed a perfect
exhilaration. I am glad to the brink of fear. In the
woods, too, a man casts off his years as the snake
his slough, and at what period soever of life is
always a child."
"In the presence of Nature a wild delight runs through the man in spite of real sorrow. Not the
sun or the summer alone, but every hour and
season yields its tribute of delight; for every hour
and change corresponds to and authorizes a
different state of mind, from breathless noon to
grimmest midnight. Crossing a bare common, in
snow puddles, at twilight, under a clouded sky,
without having in my thoughts any occurrence of
special good fortune, I have enjoyed a perfect
exhilaration. I am glad to the brink of fear. In the
woods, too, a man casts off his years as the snake
his slough, and at what period soever of life is
always a child."
Saturday, June 5, 2010
Classic Tom Rush
It's been awhile since I posted something by one of my favorite singers, Tom Rush. So let's rectify that situation with this clip of his version of a song called "Driving Wheel." The images here are ok, but you'd do just as well to close your eyes and just listen:
Soup Diary 100605
Saturday Morning Cartoon
Here's one of the seemingly endless cartoons featuring a dog battling a cat. But this particular one was directed by the always imaginative Tex Avery, so its hardly the same old, same old...
Today's Quote
I think you can kind of tell the following came from a historian. The man in question is George Santayana (1863-1952):
Friday, June 4, 2010
Classic Calloway
Here's a scene from the movie Cabin in the Sky featuring the incomparable Cab Calloway and his Orchestra, with some fancy footwork contributed by the Nicholas Brothers:
Friday Family Blogging Quiz
A nice picture of Dad, Natalie, me, Theresa and Tom. The question is, what was the occasion that brought us together? For extra credit, who is sitting immediately to Dad's right (cropped out here)? Put your answers in the comments section.Last week, I asked you to identify the youngster hiding behind the shades, and Lizzie got it right off the bat: Raechelle. Thanks to all who played, and good luck with this week's stumper.
The World's Greatest Water Fountain
More Friday Family Blogging
Friday Family Blogging
Friday Philosophy
Today's quotation comes from the Dutch philosopher Baruch Spinoza (1632-1677), who employed scientific principles to the evaluation of moral and even religious ideas. This is at least hinted at in this line from his work on ethics:
Thursday, June 3, 2010
A Great Singer
Richie Havens has one of the most distinctive voices I've ever heard, and it means he can take almost any composers song and kind of make it his own. Here he does that with songs by Van Morrison and Bob Dylan-- a pretty substantial accomplishment, I think you'd agree:
Three Photos
The Strasburg Show
The Last Concert I Saw
My summer concert-going got off to a rousing start last night when I drove over to Rochester to see Amy Rigby and Wreckless Eric. They played in a nice bistro/bar on the edge of the RIT campus, though the bulk of the modest crowd averaged well over the typical age of college students. It didn't matter-- Amy and Eric put on a good show. I'm a long-time Rigby fan, and know Eric primarily by his classic post-punk standard "Whole Wide World" (done last night in excellent fashion). If I had any complaints about the show, it was that in splitting material (they are husband and wife and function on stage as a duo), Amy's solo stuff only popped up occasionally through the evening; thankfully most of her choices were of the rocking variety and she really threw herself into their performance, especially on "Raising the Bar." Another highlight was their rendition of the Goffin-King, Byrds classic "Goin' Back." This is the third time I've seen her live, and each time she has shared the stage with another performer (Eric last year and Marti Brown a few years before that). As much as I like the work of her partners, I hope someday to see an unabridged Rigby showcase-- she has a deep enough catalog of material to put on a killer show all by herself. But I might've been in the minority in feeling that way last night, as it was clear Eric had a bunch of fans in the audience too. The biggest disappointment wasn't musical, however: I forgot to bring my camera, and therefore have no snaps to share here, only the cover of the couple's new album which I picked up (it just came out Tuesday). If they should show up somewhere near you, I'd definitely recommend checking them out.
Thursday's Words of Wisdom
This quotation comes from one of the founders of the French Romantic Movement in art and literature, Eugene Delacroix (1798-1863):
Wednesday, June 2, 2010
Video of the Day
Here's a cool song from Nick Lowe, going back to his early days with Stiff Records and his (and Dave Edmunds') band Rockpile:
Soup Diary 100602
The picture above is only a rough approximation of the most unusual soup I have ever eaten. It was at a restaurant in Rochester, and the listed soup of the day at a fancy burger and pizza place. This is the name of the soup, as it appeared on the specials board: Chilled Strawberry and Raspberry with Organic Yogurt and Fresh Mint. It tasted quite good, like a smoothie in a bowl, and I imagine the idea was to come up with something appropriate for the mostly hot weather Western New York has been enjoying over the past few days, and to that end it was successful. The idea that soup would be made from fruit, as opposed to vegetables is an interesting concept, but it pretty much seemed like I was eating a nice dessert at the start rather than the end of my meal. In the past I've had gazpacho and cold cucumber soup, both of which I like, but as tasty as this was, I can't get my head around the idea that it really was soup, as opposed to some kind of culinary novelty item. I would not have ordered it at all if I hadn't committed myself to trying out new soup varieties as much as possible, and I'm not sorry I did in this case. But I doubt I'd order it again if the opportunity arises.
Today's Quotation
The following is from the eminent cultural historian Christopher Lasch (1932-1994), who taught for many years at University of Rochester (a city I visited earlier today-- perhaps putting me in mind of Lasch):
Tuesday, June 1, 2010
A Favorite Song
Every few months I pull out the album by Cry Cry Cry (talked about in the intro of this clip), to pick something to play on my radio show. Almost always, this ends up being the song I choose, though several others are worthy contenders. I just like this one that much. I wish I could find a video with all three members of that group (Dar Williams and Richard shindell are the other two), but Lucy Kaplansky does alright by it on her own. I hope you like it too:
Feels Like Summer
Soup Diary 100601
A Quote for Tuesday
This comes from the decidedly unique mind of Robert Benchley (1889-1945), an American humorist too rarely remembered today:
Subscribe to:
Posts (Atom)












