Album Premiere: Paper Tigers - East Coaster
2 hours ago
For months I've been looking for some kind of system to store and catalog the SD Memory Cards I use in my digital cameras. It used to be they came in small plastic cases that could be easily stacked, but lately it's just the card, and since I use them as backup storage (that is, I download the pictures to my computer but keep them on the cards as well), I hate to pile them up with the contacts exposed to dust, heat, whatever. So, I've been searching in camera stores, department stores, stationary shops, everywhere I can think of to find something that works as an easy, safe, cheap and space-saving system, but with no luck. Camera stores have really expensive cases that maybe hold up to four of the cards, but they are designed to also accommodate larger cards that I don't use, which means lots of wasted space. Anyway, about two weeks ago, I stumbled on something that was exactly what I was looking for in of all places, a drugstore, namely Rite Aid. You can see a picture above: it holds ten cards, is virtually as flat as the cards themselves, and they are relatively cheap (about $6). The only problem was that when I spotted it entirely by chance, there was only one available, while I could use three or four. I immediately bought the one on display (the clerk probably thought I was nuts because I was kind of going on about finding something I'd begun to think did not exist in response to her query "Did you find everything?"). I also realized that if I got lucky in this Rite Aid, there was a good chance I'd find more in other Rite Aids in the area, and there seem to be quite a lot of them. So the next day, I was in another part of town, spotted a Rite Aid and went in to check. Sure enough, they had one too, but again, only one. I bought it and a couple days later, stopped in another Rite Aid and they too had one, only one. A couple of days later, the same thing in another location. I now had the four I figured I needed to organize my collection, but there was something tugging at my brain: why was it always one, and only one in each store? They don't take up much space on the rack; the SD cards alongside them were generally in abundance. So, even though I had met my quota, I started stopping in other Rite Aids as I came across them (and no kidding, they are ubiquitous in this part of the world). I was in my seventh different store today, and as in all the others, one card case. I even went back to the first store to see if they had re-ordered after I cleaned them out on that first visit. One card case. I'm becoming somewhat obsessed with checking every Rite Aid store to see if there are ever two or none or five or anything other than one. My sister reported seeing two in a store out in the Southtowns, but I'm not sure I believe her-- she might've just been trying to put me out of my misery. I think I may have to find a phone book and make a list and do this more systematically, though that only adds data to the investigation. Still, I'm left with the question: why always and only one?
I've been dog-sitting for my brother for the last week, which put me in mind of how J.R. Williams often featured dogs in his classic panel Out Our Way. The dog in the comic above looks a bit like Hershey (a chocolate lab), at least in repose.
The last one below doesn't exactly feature the canine, but he definitely adds an extra dimension to the suspense.
Okay, here's a perennial favorite: whose eyes are these? Put your guesses in the comments section.
I remember reading Ellen Willis' column in the Village Voice back in the '80s and 90s, and always enjoyed her perspective on things (mostly she wrote, from a feminist perspective, on broad cultural topics). When her book of earlier music criticism came out a short time ago, I was a bit leery, as the topics tended toward artists who I've already read about, in some cases (the Rolling Stones) ad nauseum. Understanding that she wrote about them earlier than most critics didn't make much difference-- it was hard to believe that encountering these early pieces for the first time at this late date was going to help me know any more than I already do about Bob Dylan, the Who, the Velvet Underground, Creedence Clearwater Revival... you get the idea: this appeared to be well-trod ground. What I should have remembered from her later work (that was familiar to me) was that Willis never failed to spark and hold my interest by recognizing connections that tied her subjects to both broader and deeper cultural themes than might be evident on first glance. So reading this book turned into a somewhat unexpected pleasure as her insights made me think about how those artists related to their times in ways that went way beyond making popular records or engaging in hotel-smashing escapades. It also made me appreciate again just how central rock was to the countercultures of the late sixties and early seventies, and not just as the proverbial third leg on the stool of "sex, drugs, and rock'n'roll" but as a core means of communicating ideas about identity, politics, and philosophy (especially related to the concept of liberation). You can tell from these pieces that Willis used the music to help her work out a lot of these ideas in relation to her own perceptions of sixties society and possibilities; and you can also see, as her work advanced deeper into the seventies, how generally the music became less central, providing Willis with a new set of critical questions to address as the counterculture fractured, largely from its own indulgences (not the least of which was its inherent sexism). In the end, the fact that most of this book does address familiar artists made it that much easier to appreciate just how sharp and unique Willis' insights on them were, making it clear that she fully deserves to be recognized as one of the key originators of rock criticism and -- even though she moved out of that field within a few years-- still one of the best.
Fables Cafe in the Buffalo library is starting to redeem itself, at least a little. After a change in management sent their soup offerings plummeting in quality a few months ago, I've now had three tasty cups in a row. Most recently, they nailed the Mushroom Marsala, which was definitely a reach for me compared to the Black Bean and Stuffed Potato that preceded it. By that I mean that I'm not generally a big fan of mushroom soups (while it's pretty hard to make a bean or potato variety that I won't find at least acceptable). But this one was quite tasty, with a somewhat buttery broth which worked very well. It's still been a long time since they hit a home run, but if they can pump out consistent doubles like this, they'll generally score well enough for me to keep giving them my business when downtown.