Somehow I doubt that Miguel de Cervantes (1547-1616) lacked the erudition necessary to avoid falling into the trap implied by this comment:
Album Premiere: Paper Tigers - East Coaster
2 hours ago
I tend to think that much of the mistrust of government so evident in our society has its roots in the Nixon years, and in fact that we've never shaken the cynicism created by the revelations surrounding Watergate and its related abuses. If anything, that feeling is stronger after seeing The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, a new documentary directed by Judith Ehrlich and Rick Goldsmith. Even though the Nixon administration itself was not directly implicated in the series of lies that made the Pentagon Papers so explosive, the heavy-handed tactics employed by Nixon to smear Ellsberg and his supporters offer compelling proof of the Tricky one's habitual perfidy. But that's not really the main point of the of the film, which I think legitimately paints Ellsberg as an American hero. There's a strong strain of anti-authoritarianism in American culture, but as often as not as individuals and even collectively we tend to identify with power and even rationalize its assumed prerogatives. I don't know if this was ever more evident than in the 1950s through the early stages of the Vietnam conflict when the consensus seemed to be that our might made us right. The danger in that line of thinking should be self-evident, but at the time we refused to acknowledge how such hubris was blinding us to the dangerous implications of our actions (not just for the people of Vietnam and our troops in the field, but for our collective national psyche). Daniel Ellsberg was one of those who tried to shake us out of those delusions, and even offered us proof of their depth, but for his trouble was harassed and persecuted by the system he was still trying to serve. There's a pretty powerful message in that story, and the filmmakers do a good job of spelling it out-- I just hope enough people see the film and take Ellsberg's example to heart, though I'm not terribly optimistic that will happen.
Today's photos were taken at Kaiser Wilhelm's Memorial Church on Kurfurstendamm in West Berlin. As you can see, the Church is little more than a shell of its former self, the result of Allied bombing in World War II.
Right next to the remnants of the church is a newer, modern structure that was built as an alternative to restoring the older building. It's kind of impressive too, but in a different way. Side by side the two make a striking pair.
It had rained the night before, so the streets were wet and glistening in the morning sun, which created an interesting effect with the shadows of the runners.
Creedence Clearwater Revival
The Crickets
"If we think of our existence not as that of a little
Today we celebrate one of the true classic of the comics medium, V.T. Hamlin's Alley Oop, created in 1934. Oop was a caveman, who early on had adventures in the prehistoric land of Moo, often having run-ins with King Guzzle and pursuing the love of beautiful Princess Oola.
Then, in 1939, the strip took a dramatic turn when Oop and Oola were magically (well, actually, scientifically) transplanted to the present by virtue of a time machine constructed by J. Oscar Boom. From that point forward, Oop's adventures took him around the world and throughout history.
It's a great concept, and I'm pretty sure the strip continues today (though Hamlin long ago passed it on to other hands). It never appeared in the Buffalo papers of my youth, but I've enjoyed reading a few collections that have appeared over the years. It's a worthy throwback to the great adventure strips of the thirties, adding a humorous touch to the kind of heavier melodrama of Terry & the Pirates or Flash Gordon.